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Neighborhood Photography Workshop

Neighborhood Photography Workshop

Explore the ways that photography with your phone can be used as an easily accessible, generative art-making tool with Creative Assembly artist Paige DeVries.

Contemporary African Arts at NOMA

Contemporary African Arts at NOMA

Afropolitan highlights some of the most pioneering African artists of the twentieth and twenty-first centuries in the museum’s collection.

National Symposium for Emerging Scholars

National Symposium for Emerging Scholars

Watch Curatorial Fellow Laura Ochoa Rincon discuss the progression of her curatorial vision, including her studies on NOMA’s extensive glass collection.

20 YEARS OF THE BESTHOFF SCULPTURE GARDEN

20 YEARS OF THE BESTHOFF SCULPTURE GARDEN

Celebrate 20 years of the Besthoff Sculpture Garden with a year-long celebration of events and more.

FI YI YI FOREVER

FI YI YI FOREVER

NOMA hosted the retirement celebration for Big Chief Victor Harris, honoring 59 years as a Black Masking Indian.

Available Now

Available Now

Explore the exhibition catalogue of Debbie Fleming Caffery’s first major career retrospective, In Light of Everything.

This major solo exhibition of work by Wangechi Mutu brings together nearly one hundred sculptures, paintings, collages, drawings, and films to present the breadth of the Kenyan–American artist’s multidisciplinary practice.

Wangechi Mutu: Intertwined

This major solo exhibition of work by Wangechi Mutu brings together nearly one hundred sculptures, paintings, collages, drawings, and films to present the breadth of the Kenyan–American artist’s multidisciplinary practice.

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This exhibition explores the unique methods in which the South, in particular New Orleans, dealt with the passage of the 18th Amendment to the Constitution, which banned alcohol in the United States.

Rebellious Spirits: Prohibition and Resistance in the South

This exhibition explores the unique methods in which the South, in particular New Orleans, dealt with the passage of the 18th Amendment to the Constitution, which banned alcohol in the United States.

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Drawn from NOMA’s permanent collection, works by Ilse Bing, Ruth Bernhard, Lola Alvarez-Bravo, Carlotta M. Corpron, Florence Henri, and Lee Miller illustrate ways that women pushed the boundaries of surrealist art.

Double Space: Women Photographers and Surrealism

Drawn from NOMA’s permanent collection, works by Ilse Bing, Ruth Bernhard, Lola Alvarez-Bravo, Carlotta M. Corpron, Florence Henri, and Lee Miller illustrate ways that women pushed the boundaries of surrealist art.

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Including nearly 100 dramatic black-and-white photographs, this exhibition is the first career retrospective for the important Louisiana-born artist.

Debbie Fleming Caffery: In Light of Everything

Including nearly 100 dramatic black-and-white photographs, this exhibition is the first career retrospective for the important Louisiana-born artist.

Read more
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Virtual Visit

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neworleansmuseumofart

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Apr 27

Open
This year's theme for @InternationalDesignDay asks creative thinkers to consider kindness as a design principle. According to the International Council on Design, developing a "kindness standard" starts with asking a few questions about how an object is developed, produced, and used.⁠ ⁠ NOMA's decorative arts and design galleries include objects created around the world across centuries, in many different contexts. We encourage you to look at the guiding questions below on your next visit to begin considering how kindness might be embedded throughout the material world. 👇⁠ ⁠ 1️⃣ Who is being considered by this object's design, and who is left out?⁠ 2️⃣ Whose future was/will be affected by this object, and how?⁠ 3️⃣ How much harmony did this design in the past? What about now and in future?⁠ 4️⃣ What kind of world does this design uphold or imagine anew?⁠ ⁠ #IsItKind #IDD2024 #InternationalDesignDay @theicod⁠ —⁠ 📸: @ghost_inthecity

This year`s theme for @InternationalDesignDay asks creative thinkers to consider kindness as a design principle. According to the International Council on Design, developing a "kindness standard" starts with asking a few questions about how an object is developed, produced, and used.⁠
⁠
NOMA`s decorative arts and design galleries include objects created around the world across centuries, in many different contexts. We encourage you to look at the guiding questions below on your next visit to begin considering how kindness might be embedded throughout the material world. 👇⁠
⁠
1️⃣ Who is being considered by this object`s design, and who is left out?⁠
2️⃣ Whose future was/will be affected by this object, and how?⁠
3️⃣ How much harmony did this design in the past? What about now and in future?⁠
4️⃣ What kind of world does this design uphold or imagine anew?⁠
⁠
#IsItKind #IDD2024 #InternationalDesignDay @theicod⁠
—⁠
📸: @ghost_inthecity ...

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neworleansmuseumofart

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Apr 26

Open
#FlashbackFriday to when @blinkybillmusic helped up kick off the opening of “Wangechi Mutu: Intertwined” at NOMA with a performance featuring @auroranealand and other special guests 🎶 @wangechistudio

#FlashbackFriday to when @blinkybillmusic helped up kick off the opening of “Wangechi Mutu: Intertwined” at NOMA with a performance featuring @auroranealand and other special guests 🎶 @wangechistudio ...

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neworleansmuseumofart

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Apr 25

Open
A few of our favorite @jazzfest 2024 musicians who have performed at the museum 🎶 @mahmoudchouki @folkrockdiva @peoplemuseumband @brucesunpiebarnes @rebirthbrassband @yps_brass_band @helengillet @tremebrassband

A few of our favorite @jazzfest 2024 musicians who have performed at the museum 🎶 @mahmoudchouki @folkrockdiva @peoplemuseumband @brucesunpiebarnes @rebirthbrassband @yps_brass_band @helengillet @tremebrassband ...

54 3

neworleansmuseumofart

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Apr 24

Open
The sculptures grouped on this platform in "Wangechi Mutu: Intertwined" are macroscopic impressions of viruses. 🦠⁠ ⁠ Reminiscent of pottery, they are made from the distinctive and highly fertile red volcanic soil found in the highlands region of Kenya—a lifegiving material that is the source of the region’s dense forests and abundant horticulture.⁠ ⁠ Enlarging their scale highlights their geometry, symmetry, and distinctive textures, which evolved over millennia to facilitate the viruses’ infiltration of and reproduction within human, plant, and animal cells.⁠ ⁠ Mutu has specifically chosen to represent viruses that have historically been deployed as bioweapons of colonization (like measles and smallpox) as well as those that are tied to specific geopolitical contexts (like Zika and Dengue) or are otherwise interwoven with human societies (the common cold). ⁠ ⁠ Such pathogens cause sickness and disease but also speak to⁠ fears, vulnerabilities, and experiences that unify humanity.⁠ ⁠ "Wangechi Mutu: Intertwined" is on view at NOMA through July 14.⁠ —⁠ 🎨: Wangechi Mutu, various works, 2016–22. Red soil, paper pulp, and wood glue. Courtesy the artist, Gladstone Gallery, and Prout-Lara Collection, Vancouver.⁠ 📍: First floor, Ella West Freeman Galleries⁠ 📸: @annrowsonlove

The sculptures grouped on this platform in "Wangechi Mutu: Intertwined" are macroscopic impressions of viruses. 🦠⁠
⁠
Reminiscent of pottery, they are made from the distinctive and highly fertile red volcanic soil found in the highlands region of Kenya—a lifegiving material that is the source of the region’s dense forests and abundant horticulture.⁠
⁠
Enlarging their scale highlights their geometry, symmetry, and distinctive textures, which evolved over millennia to facilitate the viruses’ infiltration of and reproduction within human, plant, and animal cells.⁠
⁠
Mutu has specifically chosen to represent viruses that have historically been deployed as bioweapons of colonization (like measles and smallpox) as well as those that are tied to specific geopolitical contexts (like Zika and Dengue) or are otherwise interwoven with human societies (the common cold). ⁠
⁠
Such pathogens cause sickness and disease but also speak to⁠
fears, vulnerabilities, and experiences that unify humanity.⁠
⁠
"Wangechi Mutu: Intertwined" is on view at NOMA through July 14.⁠
—⁠
🎨: Wangechi Mutu, various works, 2016–22. Red soil, paper pulp, and wood glue. Courtesy the artist, Gladstone Gallery, and Prout-Lara Collection, Vancouver.⁠
📍: First floor, Ella West Freeman Galleries⁠
📸: @annrowsonlove ...

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